I BUILD GAMES.
I BUILD THE SYSTEMS
BEHIND THEM.

At LightFury Games, I'm a Senior Producer on the studio’s first AAA cricket title. I coordinate cross-functional gameplay teams, align development priorities, and help drive core gameplay features toward release while contributing to the game’s emerging Live Operations plans and processes.

At Scopely, I supported the transition of Looney Tunes: World of Mayhem from Epic Games Brazil to Scopely India. I coordinated transition planning with senior stakeholders, managed the release roadmap, and oversaw iOS, Google Play, and Flexion update cycles and release coordination.

As Senior Producer at Scopely, I owned Live Operations planning and release management for The Walking Dead: Road to Survival. I managed Canadian development partner IUGO Entertainment, coordinated Google Play, iOS, and Flexion releases, and led sunset operations for the player community.

At Zynga, I led FarmVille 3 Live Operations planning and delivery, managing a cross-functional team of 25 across permanent features and limited-time events. I partnered with Product and Data teams on roadmaps, prioritization, delivery risks, and key business KPIs and live game health.

At BYJU’S, I led a 30-person team producing computer vision-based educational games inspired by the Osmo play experience. We developed seven titles within a planned 10-game bundle, coordinating teams and workflows; the games were never released following the company’s shutdown.

As Production Manager at Square Enix India, I led production for Ludo Zenith, managing schedules and delivery across multiple vendor teams from concept to release. I established production processes for the new Indian team and developed a post-launch Live Operations plan for future content.

At Agni Interactive, I managed outsourced production for clients including Zynga, Funko, Scopely, Stellarplay Games, and Cuemath, supporting FarmVille titles and Black Diamond Casino. I helped grow the team from 5 to 60-plus, managed three producers, and contributed to sevenfold studio revenue growth.

At Five Axioms, I moved from creative work into project management, coordinating cross-functional teams of around 20 across art, design, and development. I helped deliver a Subway Surfers-inspired endless runner for a Mississippi-based client, supporting planning, prototyping, and execution for client review.

I began in game art and design at Gameshastra, Playdom, and PurpleTalk. These roles built my foundation in 3D art, visual development, and creative collaboration. That experience still informs how I partner with artists and designers and guide teams through game production.